DIY HiFi Supply FCUPS
Film Capacitor Universal Power Supply







picture shows top and bottom sides of one module






Film Capacitor Universal Power Supply


The DIY HiFi Supply Universal Film Capacitor Power Supply has been designed to offer a State of the Art power supply for tube amplifiers and tube preamplifiers.
Due to its compact size it can be used both for retro-fit upgrades in many tube amplifiers and preamplifiers as well as for new designs.
Compact 60 mm x 60 mm x 220 mm, easy to place in chassis.

The Universal Film Capacitor Power Supply tracks the transformer secondary voltage just like a choke filtered/choke input supply. The “electronic choke” circuit basically tracks the lowest point in the rectified and first capacitor stage filtered supply and drops another around 6V to allow it to operate under all conditions. Thus any losses are set to the minimum required for the circuit to function.

The Universal Film Capacitor Power Supply has on board a “schottky-enhanced” solid state rectifier bridge, or halve bridge for use with centre tapped secondary transformers. Additionally any form of external tube rectifier can be used.
Of course heater windings for tube rectifier must be present on mains transformer. Traditional (dual anode) tube rectifiers such as 5U4 can be used even if the mains transformer used lacks a centre tap for the high voltage winding.

The Universal Film Capacitor Power Supply is for use with input voltages of no greater than 380V AC for Solid State rectifiers and 420V AC for Tube rectifiers.

On the output side the Universal Film Capacitor Power Supply provides +B (high tension/anode supply) and Ground, -C (negative bias/helper voltage) and Ground.
The negative bias voltage supply can be set from -80 volts or -140 V. (There is no need for a separate negative voltage winding on the power transformer).

Additionally a line for connecting to the ABS over current sense circuit forms, if used, a protection against of the amplifier against faulty output valves.

There are two sets of terminals usable to add external capacitance. One set adds capacitanace after the rectifier, the other set adds capacitance after the electronic choke. Maximum output current is scalable from about 100 ma up to 300 ma depending on additional capacitance available.

Supremely quiet power supply, o
utput noise should be in the 0.0x mv range.
Can be used all the way up to delicate applications such as a phono stage (one extra RC at the output recommended for input phono stage).



Application notes (pdf)



 
Film Capacitor Universal Power Supply.


€ 172.25
ex.VAT
€ 205.00
incl.VAT
each










CLCLC vs FCUPS

Noise:
The FCUPS (Film Capacitor Universal Power Supply) gives 115 to 120db of 100hz ripple rejection. To get that with traditional CLC networks would need a 20uf/20h/220uf/20h/220uf network.

Performance:
Of course all that CLCLC capacitance is going to make for a very slow and soggy sound since it is inductance that gives speed and attack. The above supply only has 40h - practical limit for size that would fit into an already huge and heavy chassis.
The FCUPS? Equivalent 500H ! with a 60 x 60 220mm footprint. And sound that has attack, transparency and bass that goes WAAAAY down low.

Features:
On board negative bias voltage supply. Configurable -80 or -140v.

Flexibility:
Ever wonder about those low DCR or battery supplies? Easy. One jumper switches between virtual battery or virtual choke. Now you can be your own judge.
virtual battery:
output impedance is 10 ohm at low frequencies and falls with the 20uF capacitors impedance above around 1KHz. It certainly qualifies as “low DCR”, the “virtual” capacitor on the output of the circuit behaves like a 820uF capacitor, film at that!
virtual choke:
the output impedance is several dozen KOhm down to very low frequencies, just as if a giant choke was used. In this mode an extra external capacitor must be used, as the only capacitance on the side feeding the amplifier is the 20uF on the board. Add a pair of 47uF Film Caps and your PSU will be fine for most cases.

Another little detail -- the rectifier.
FCUPS: on board Schottky diode bridge. Of course the bridge can be bypassed and a tube rectifier used.

Portability:
CLCLC: major 5 to 10kg adder to amplifier weight and don't even think about trying it in different applications.
FCUPS? 350gr. Easy to remove and install as all screw connectors.



Adrenaline For Your Power Supply

power supply: we know that fast recovery and energy storage are prime ingredients for a good sounding power supply; unfortunately the two qualities seem to be mutually exclusive. Add tons of capacitance and you get energy storage BUT very slow recovery and sluggish sound. If we go with small film caps we get very fast recovery but with just a few successive transients and we quickly run out of steam . Depending on priorities different paths are taken. In Asia it is very common to see power supplies with 10 micro farad film capacitors in the pi filter with their characteristic sound. in the West is common to see huge electrolytics or banks of oil caps, 200+ micro farad per leg.

One way to enjoin these two qualities is to use an electronic choke. This, along with a few other tricks, is what we have in the FCUPS (film capacitor universal power supply). The last capacitor is 10uf film and has the the speed and clarity of the fastest power suppliers. Between we have a solid-state choke with equivalent of 500H of inductance! Maximum input voltage is about 380 V directly on the Schottky diode bridge or 420 volts if from a tube rectifier.

We may have heard power supplies with huge amounts of capacitance but very unlikely we've ever heard a power supply with 500 H inductance because the choke would be absolutely huge! what would such a thing sound like?

We have installed two of the FCUPS into our resident Ella. I must say I am surprised and impressed. It's like hooking Ella up to an adrenaline drip-- everything is bigger bolder more dynamic, and because of the added quiet more low-level detail is resolved. It's been running in the past week and the initial edge that all film capacitor power supplies have at the beginning is starting to recede; we are hearing more bloom and swell around transients. I'm just using the little 5 inch Feastrex field coil drivers which are impressive in their own right, but now they sound unbelievable for their size.

it's also nice to have a pure ripple-free DC bias supply generated onboard the FCUPS. this powers the ABS and also interfaces with the "protect" feature so that if current should start to run away the B+ rail will be shut down stone cold dead.

I also now have two empty slots for a couple of 47 micro farad film capacitors which can be used to replace the last remaining electrolytics and then we will be living in a truly electrolytic-free zone.

Regards
Brian