THE
BEST!
A
new tonearm, a "better" cartridge
and the transparent finish change drastically
the sound of a turntable. The new, improved
version of the Scheu Premier is here to set
new standards.
We
were first introduced to the Scheu Analogue
Premier II about a year ago in the "dedicated
to vinyl" issue of September-October 2002.
It won our admiration because it offered the
highest level of quality at a relatively low
cost. This time the whole package costs about
900 € more but with definitely better results.
Aesthetically speaking, there hasn't been one
person who didn't drop their jaw when they looked
at it, but the most important thing is that
it sounds like a much better turntable.
The
Premier II Clear, that's its full name, is a
beautiful turntable (with an excellent finish,
naturally) that's exactly the same with the
previous Premier but instead of the black finish
we have a transparent acrylic plinth that makes
it look completely different and, with the aid
of the leadshot that shows through, it looks
more eccentric and more dynamic. The motor unit
has a better finish and now the speed adjustment
pots are metallic.
The
tonearm is a completely new design. It is also
a unipivot, but this is where the similarities
with the Classic tonearm end. The Cantus is
mainly made of clear acrylic. The armbase is
exactly the same with the one used for the Tacco,
the top of the line Scheu tonearm, and the arm
is a single piece of acrylic with the headshell
being a part of the arm and not an attachment,
thus making it very sturdy.
The
6mm thick tonearm with its grid-like design
minimizes the colorations that we usually encounter
in tube-like tonearm designs. It also contains
a thin carbon tube from which the cartridge
wires run through, making much easier to use
than the Classic.
More
importantly, it is now impossible for the Cantus
to drop from its place, something that could
happen with the Classic. Believe me, I had an
experience like that and I almost had a heart
attack before I discovered that nothing happened
to the stylus.
The
cartridge wiring runs straight from the cartridge
to the phono stage, even though I think that
this might cause some hum with MM cartridges
because the wires are not shielded. Those who
use MC cartridges won't have a problem whatsoever.
The
Cantus is an excellent and very simple design.
It is also easy to adjust. You can adjust the
antiskating by turning counterclockwise a cleverly
placed metallic tube that holds the cartridge
wires. I still have to make a comment though
regarding the size of the screw used for VTA
adjustment (the height of the tonearm): I would
prefer it to have the larger size of the one
used in the Classic because the one on the Cantus
is very small and it might get destroyed easily
by improper use of the alien screwdriver or
by regular use. The previous one was bigger
and had more leeway.
The
second comment I have to make is the lack of
an attachment to rest the cartridge wires on.
When they come out of the tube they fall on
the side and sometimes they may affect the move
of the arm. Of course this can be solved by
the user, but it would be better for the manufacturer
to provide the solution.
So,
is it the tonearm that makes all the difference?
I
don't think that the clear finish of the turntable
and the better finish of the motor unit are
responsible for the huge differences in the
sound of the Premier compared to the sound of
the same turntable with the Classic (and the
high output, less costly Scheu cartridge).
The
previous setup had left me very satisfied with
its sound quality, but now I can say with certainty
that the new Premier II/Cantus combo plays in
the same league with the big (and expensive)
setups in the market. It may fall behind in
some minor points compared to the very expensive
turntables, but it sounds so good that it makes
you wonder if you need to spend the many thousands
of euros required to buy one of those mega turntables.
Of course there are those who are willing to
pay thousands more for those minor points.
The
speed stability is a definite characteristic
of the Scheu turntable, but its two strongest
points are its rhythm and energy. This new version
offers a sound so full and true in timbre that
the listener keeps thinking that he is listening
to a combo that costs far more than the asking
price.
There
is no rumble, no hum, and no mistracking, even
through the most difficult passages. Of course,
don't be fooled to think that this turntable
will be forgiving to a bad pressing or a mediocre
recording, because this is not the designer's
philosophy. The music will flow through pure
and undistorted even more so than last year's
combo, and this is exactly what one expects
from a top of the line turntable.
Setting
up the Premier remains the same, of course,
as with the previous model. Make sure it is
placed horizontally using the three big base
screws and the spirit level supplied (in the
cartridge box), and make sure that the thread
you use has the right tension to avoid wow &
flutter.
It
requires very little effort but the results
are rewarding since the speed remains stable
this way. The MC Silver works best at a 100
Ohm load and is far more tolerant in load changes
than other more picky MCs. It goes without saying
that you should be very careful when handling
the "naked" cartridge.
Finally,
I need to stress a point regarding the sound
of the Scheu Analogue turntable. It sounds so
solid that makes other turntables sound lifeless
and shallow. When you listen to the Premier
II/Cantus/MC Silver combo, the music is presented
as having "meat" and "bones".
You can sense the presence of the musicians
instead of simply listening to a thin representation
of the recorded event, as I have experienced
with many mid-priced turntables.
Therefore...
...
it comes naturally for me to say that the Premier
II/Cantus/MC Silver is one of the best turntables
I've ever listened to. This is not
a conclusion I came to by simply calculating
all the factors, as it usually happens when
reviewing high-end equipment. This turntable
does not simply reproduce music events. Instead,
it offers a whole musical feast, something that
very few turntables can do (and most of them
at much higher prices). What an excellent design!
Thanasis Moraitis
|