Auditorium
23 step-up transformers
read
the review on 6moons,
Jeff Day
All I can say is that if you have a Denon 103
cartridge and a low-gain moving-magnet phono
stage, you haven’t experienced what they
are truly capable of without the Aud 23 tranny
– it’s that good!
Read the Review of the Ortofon
SPU version in American Wired
Auditorium 23 Hommage T1 Transformer
From
the DIAPASON Review
The
best transformer ever?
The price of a very good CD-player for a simple
MC-transformer! Crazy, you'll say. A product
like this is certainly only made for audiophiles
or hi-fi maniacs dedicated to vinyl, possessing
an excellent turntable or even an excellent
preamplifier. In fact we are speaking about
a transformer of rare qualities, made for cartridges
with low impedance like i. ex. Ortofon. We have
made the test with a cartridge of Shindo Laboratory
mounted on a Shindo tonearm, amplification was
Shindo preamp "Catherine" and Shindo
poweramp "300B Limited" with Tannoy
"Gold" speakers of the first generation.
We compared the transformer to some of highest
reputation (Shindo "Arome", Ortofon
MC 3000, new Denon "pro").
After two months of audition we were sure that
there is no way back, never before we had listened
this way...
Without exaggeration we can say that it was
simply the rediscovering of our vinyl collection,
in fact this transformer literally transcends
the cartridge. It serves a tone unbelievable
open, dynamically and musically. The listening
becomes a moving experience. In comparison to
the competitors like the Shindo "Arome"
or the Ortofon 3000, the Hommage T1 gives the
impression instruments have more physical realism,
the touch of the pianist is more distinctive,
the play more mighty, vivid, expressive. The
wonderful recording of Tchaikovski's Concerto
for Violin with Szering and Haitink (Philips)
makes one believe in a better reading of the
cartridge that extracts information never being
heard before.
Fortissimos enfold unlimited and without diminution
of the orchestral image, almost without dynamical
limitations, the limit of saturation appears
as being moved extremely high. The other transformers
- as excellent as they are - give the impression
the music is losing respiration, swing, extension,
suddenly appears more static, less nuanced (shading?),
more flat in rhythm and expansion - briefly
said, the music seems likewise poorer and less
arranged.
Of course, it requires a system and especially
a preamp that is capable of making the differences
audible. But for sure this transformer is a
milestone and joins at the first onset the mythic
products in the history of hi-fidelity. For
us it is not only the best transformer, it also
means a new definition of the musical possibilities
in analog reproduction. The one regret: it's
made only for cartridges with low impedance,
let's hope that Ortofon will keep on the production
for a long time.
Jean Marie Piel, Paris
Diapason March 2006

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